Bart Wouters
  • BREG
BREG "Circles & lines" doek 120x100cm.
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Bart Wouters
Address:
Bredabaan 157-159 ,
2930 Brasschaat
Region: Antwerpen
Country: Belgium
Tel.: +32 (0)474 45 15 67
E-mail: info@bartwouters.be
Website: www.bartwouters.be
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Eugeen Van Mieghem "Havenmeisje" olievef 21x30cm.
Bart Verheyen

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Corneille (1922-2010) Reliëf in geglazuurd aardewerk. Getekend en gedateerd 'Corneille '98'. Genummerd 33/40. Gedateerd '1998' op verso. Stempel 'Atelier/Studio M.Foubert' en 'G.Delille/Paris'

Corneille (1922-2010) Reliëf in geglazuurd aardewerk. Getekend en gedateerd 'Corneille '98'. Genummerd 33/40. Gedateerd '1998' op verso. Stempel 'Atelier/Studio M.Foubert' en 'G.Delille/Paris'
DENIS DE GLOIRE

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Gerard Schaperkotter

Gerard Schaperkotter "Blue painting" 1974 olieverf op doek 100x140cm.

Gerard Schäperkötter (1914 - 2006) was een ingetogen kunstenaar die zeer rustig zijn doeken en gouaches componeerde. Vanuit zijn herinnering en verbeelding creëerde hij een nieuwe werkelijkheid. Daarbij liet Schäperkötter zich inspireren door het expressionisme van de Cobra-beweging en École de Paris.

Zijn benadering van het medium was spontaan en vrij en leidde – na een figuratieve aanlooptijd in de jaren ’60 en ’70 – tot krachtige composities. De kunstwerken van Schäperkötter kenmerken zich door de afwisseling van lyrisch abstractie en indringend kleurgebruik. Veel voorkomende thema’s zijn stranden, muren en tuinen.

In 1984 exposeerde Schäperkötter samen met Jan Verschoor in het Singer Museum te Laren. Verschoor is tegenwoordig naast beeldhouwer ook directeur van het Museum Jan van der Togt.
NICHOLAS RULE (°1956) 'Blood, class and nostalgia', 1992. Acrylverf op doek 137x106cm.

NICHOLAS RULE (°1956) 'Blood, class and nostalgia', 1992. Acrylverf op doek 137x106cm.

NICHOLAS RULE (°1956) 

One of Rule’s notable exhibitions was “Outside America: Going into the 90’s” at Fay Gold Gallery in Atlanta, GA in 1991. This exhibition marked the beginning of his career and showcased his unique artistic vision. Since then, Rule has participated in numerous group shows, including “Slow Art - Painting in New York Now” at MoMA PS1 in New York City in 1992. This exhibition highlighted Rule’s ability to create thought-provoking and visually captivating paintings.

Throughout his career, Rule has been exhibited alongside esteemed artists such as Stephen Ellis and Dennis Oppenheim, further solidifying his position in the art world. His work has also been showcased in prestigious institutions such as Mamco - musée d’art moderne et contemporain in Geneva and Kettle’s Yard in Cambridge, Cambridgeshire.

Rule’s artistic box-sizing: border-box; margin: 8px 0px; padding: 0px; border: 0px; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-variant-alternates: inherit; font-variant-position: inherit; font-variant-emoji: inherit; font-stretch: inherit; font-size: 15px; line-height: 24px; font-family: "Atlas Grotesk", sans-serif; font-optical-sizing: inherit; font-size-adjust: inherit; font-kerning: inherit; font-feature-settings: inherit; font-variation-settings: inherit; font-language-override: inherit; vertical-align: baseline; color: rgb(18, 17, 32); background-color: rgb(255, 255, 255);">In recent years, Rule’s career has seen significant growth and recognition. His most recent exhibition, “Acquired on eBay (and from other surrogate sources)” at Mitchell Algus Gallery in New York City in 2020, showcased his continued evolution as an artist.

As an artist, Rule continues to push boundaries and challenge traditional notions of art. His work invites viewers to question their perceptions and engage with the complexities of the human experience. With his unique artistic vision and dedication to his craft, Nicholas Rule has established himself as a prominent figure in the contemporary art world.